The Constant Typologist: the Notion of Type in the Work of Aris Konstantinidis
Although Modern Greek architecture is often only marginal in the canonical narrations of twentieth-century architectural history, the work of Aris Konstantinidis (1913–1993) holds a special place there. He formed a complementary duo together with Dimitris Pikionis (1887–1968), which has defined the dominant perspective through which a foreign gaze understands and categorizes Greek architectural discourse, culture, and production. This perspective touches upon what many consider an unsettling and unresolved relation between modernity and tradition, or what may be called a “third way” and a possible departure from this very dilemma, forming the myth of “critical regionalism.”
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Our interest in Konstantinidis’s work, which has initiated this short essay, comes from a series of studies and observations about him as a designer, writer, and public intellectual. Contrary to widespread readings on his work and personality, we are particularly interested in his ideological and political thought, as well as the profound systematization of his practice by the architect himself, often disguised behind a highly emotional and polemic rhetoric.
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Although on multiple occasions Konstantinidis complains about his interactions with private clients, who he often profoundly resented, we argue that there are a number of private houses […] which offered him the opportunity to control not only the construction but, most importantly, the way they function as conceptual devices for the understanding of his overall work. These private residences indicated and summarized his own theses about the use of materials, structural systems and, essentially, the desired relation between landscape and architectural object: the house as a place of dwelling, an object where cultural, material, and structural continuity is traceable, a space defined by Konstantinidis as a “vessel of life.”
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However, in this text we are also interested in the complementary part of his practice: his work for the public sector. […] If anything, it seems that Konstantinidis was a devoted public sector worker.
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